Friday, October 17

Perpetual Anticipation...

Baltimore.
Boston Concert.
And an announced New York reading.

WHERE IS THE BROADWAY REVIVAL OF A LITTLE NIGHT MUSIC?
It's been more than 35 years since this show premiered. It is not my favourite Sondheim (Hi Follies), but it's a fantastic one, and his biggest commercial success by far. Don't get me wrong, I like Merrily We Roll Along a lot, but why is it getting first crack at a revival?

Anyway, my dream cast for ALNM:
Desiree: Christine Ebersole (ref: Boston)
Fredrik: Victor Garber (ref: upcoming reading. And I can see him in the part)
Anne: Laura Benanti (ref: reading. And I love her)
Charlotte: Barbara Walsh (ref: Joanne in Company has a similar dry wit)
Madame Armfeldt: Angela Lansbury! (ref: she's amazing. End of story.)
Petra: Lauren Kennedy (not a major role, I know. But this woman should be better known.)
Fredrika: Kelsey Fowler from Grey Gardens, mostly because she's like the only actress of the right age I know. Though there's also the 13 kids, I guess.
Henrik, Count Malcolm, etc.: I don't know! Any ideas from y'all folk out there?

Thursday, October 16

!

I've been TAGGED. Woe is me.

1. Link to your tagger and list these rules on your blog. The delightful TAFL was my tagger.

2. Share 7 facts about yourself on your blog - some random, some weird.

3. Tag 7 people at the end of your post by leaving their names as well as links to their blog.

4. Let them know they have been tagged by leaving a comment on their blog.

5. If you don't have 7 blog friends, or if someone else already took dibs, then tag some unsuspecting strangers.


Onto the facts!

1. My introduction to theatre was a fuzzy VHS recording of the PBS Into the Woods broadcast, when I was five. Ten years later, I came back to it, and grew obsessed.

2. I play the celtic harp. Rather well, if I say so myself.

3. I have three sisters, ages 23, 16, and 6 months.

4. I, to quote Christine Ebersole, "have been known to break into showtunes without provocation"

5. I've lived in somewhere over 15 houses, spread out over four Canadian provinces. I'm not quite sure how many.

6. My first stage role was as a Snake, in some thing my church did when I was small. I don't remember what. I got facepainted, though.

7. There are only six interesting things about me.

Tagging time!

The divine Ms. Nancy*, at LiveJournal.

Katie at Theatreisms, my fellow high school drama geek in the blogosphere.

Esther of Gratuitous Violins, one of the few theatre blogs I read that hasn't done this yet.

The [tos] crew, because they're amazing, and I'm running out of people I actually know.

You. You reading this. Whoever you are, I don't know

Saturday, October 4

Stage Management...

Well, I'm too lazy to write that post on politics. So that's not happening. But instead, I'm talking about a couple of books I've read lately on stage management (hence, you see, the title of this post). One is Stage Managing & Theatre Etiquette, and the other is The Stage Manager's Handbook. Unfortunately, I don't have either with me, so I can't recall the authors. At any rate, I found them both very interesting, and I'm quite seriously considering stage management as a potential future career now. I'm going to phone my aunt Tracy* about it at some point, because she worked as a SM for many years.

If any of you lovely folk reading this have any advice/resources/whatever you'd like to share, please let me know via comment, and you will win my eternal gratitude, which is redeemable for a cash value of 1/80th of a cent.

Thursday, October 2

It's the Little Things...

Not much of note to report, but some tidbits.

-Started vocal lessons! My teacher is fabulous. Her name is Susan Dworkin [any relation to Andrea? I do not yet know)

-Saw two things in my school's performance centre this week. One was an environmentalist piece of theatre, sort of an audience-interaction thing, by a group named Otesha. It was a train wreck, but they had a good message, and obviously for the most part weren't theatre people, so I forgive them.

-The other was a presentation by our local electoral candidates for Canada's four parties (Conservative, Liberal, New Democratic Party, and Green). It was very interesting. I'll write more on that soon, but right now I haven't the time. Suffice to say, if I could vote, it would be for Carol Harris, the NDP candidate.

-My drama class has broken into small groups to create "mini-musicals". Again, think train wrecks, but this one should be fabulously entertaining. I've convinced my group to give my character "Gimme Love" from Kiss of the Spider Woman to sing. I'm going to rock it. I've also sort of ended up our de facto director/stage manager, which is interesting and kind of fun.

Thursday, September 18

I'm Back! My God!

And I'm in Nova Scotia! And I've started school!

And, more excitingly, I've been inquiring at various nearby theatres about volunteer opportunities and so forth. I'll let y'all know about that sort of thing. I still won't be posting often for a bit, due to lacking any kind of regular internet access at the moment...

Also on my list is updating my blogroll. People to add!

Friday, August 22

Sorry I've Been Gone~

Well, there's not been much to write about. Also, yesterday morning my appendix was removed. So I am recuperating, and thus not really pursuing theatrical pursuits. Hopefully this will change soon.

In other news, I will most likely be moving to Nova Scotia, not Montreal. So disregard the earlier post about the Centaur Theatre.

Thursday, August 14

REVIEW: Avenue Q

Elgin Theatre, Toronto, ON. Aug. 13/08
**.5 of ****

The thing I like about small theatres (ie, nearly every theatre I’ve been in thus far) is that there are no really bad seats. Despite being at the very back of the mezzanine, the action onstage felt immediate, and I felt connected to it. The Elgin, also, is a very beautiful theatre, the bottom half of the last remaining double-decker theatre in the world (the Winter Garden is above it).
Alright, expositional moment over. Onto the review! For those of you who don’t know, Avenue Q is, in its essence, a satirical (and very adult) take on Sesame Street, and the majority of the characters are puppets. It deals primarily with the story of Princeton, a fresh-faced college graduate attempting to find his purpose and make his way in the world.
Now, prior to this, I had neither seen the musical nor read the libretto. My only exposure to the musical itself was the original cast album, which I enjoyed, with a couple of exceptions I will get to in a moment. So I was expecting very little, except that the show be funny, which it lived up to admirably. The book is witty, and most of the songs serve their situations well (though some seem a little out of place, the poster child for this being the rather unfortunate “I’m Not Wearing Underwear Today”). Some of the songs, taken out of context, are unspectacular (I’m not a big fan of “Purpose” or “You Can Be As Loud As The Hell You Want”), but many are excellent, running the gamut from the amusing and insightful “Everyone’s A Little Bit Racist” to the touching “There’s A Fine, Fine Line”. So, the musical itself is, I think, quite enjoyable.

But what of the performances? I thought they were, by and large, quite good. Brian’s understudy, Cullen R. Titmas, was on at the performance I saw, and was perhaps a little awkward, but still completely adequate in the role. Robert McClure was also good as Princeton and Rod, but seemed to have trouble distinguishing between the voices and mannerisms of the two characters, which would have been nice to see. Most of the others were perfectly enjoyable (one exception. I tell you in a moment, ja?), but two performers stood out above the rest. Anika Larsen was excellent as both Kate & Lucy, differentiating between the two characters in every way, while still making them both appropriately human and believable, and forging a path different from that of Stephanie D’Abruzzo from the OBC. And Angela Ai was knock-out hilarious as Christmas Eve, again differentiating herself from the original Broadway’s Ann Harada. Her “The More You Ruv Someone” was excellent, as she sang the first verse very small and then abruptly switched into full soul-ballad style. David Benoit, as Nicky, Trekkie Monster, and a Bad Idea Bear, was a bit of a disappointment. He was good as Trekkie and the Bear, but his Nicky fell a little flat for me. It seemed like he was trying too hard, and the vocal mannerisms didn’t seem natural. A final shout-out for acting to Maggie Lakis, who played Mrs. Thistletwat and a Bad Idea Bear. She doubled as the puppeteer for Kate, Lucy, and Princeton, and did a fine job.
As far as production, most of the show was completely adequate, with solid sets, lighting, and costumes. The wedding sequence near the end of Act I was hilarious, unexpected, and well-done. The one major letdown in terms of production values was the sound. On several occasions during the course of the show, the orchestra completely drowned out the singers, and, had I not been familiar with the cast album, I doubt I could have discerned the lyrics. Fortunately, these moments rarely lasted more than a second or two, and otherwise the sound design was fine.
Final thoughts: I enjoyed myself, and would certainly go see the show again, due to the strength of the book & score. The tour had a few kinks, and a few players didn’t seem too comfortable with some of the characters they were playing, but overall a more than adequate show. **.5 of ****

There you go! My first review. Good? Adequate? A blinding assault on human decency and the art of criticism? Guidance and comments very much appreciated.

A note before we begin...

I'll be posting my review of Avenue Q once I have cobbled my notes together into something meaningful, but first I'm going to lay out the rating system I'll be using. It's as much for my benefit as yours, because otherwise I'll be frighteningly inconsistent.

0 - nothing redeemable about the show whatsoever. Abysmal.
* - Lousy show, but a few moments that are enjoyable, or maybe just one really gorgeous one.
** - Good show. Nothing particularly memorable, but nothing bad either. Just a decent time.
*** - Excellent show. Very good overall, with only a couple of problems to detract.
**** - Superlative show. Perfect in every way.

And, of course, the half star ratings (*.5, **.5, and so on), for those shows in between.

See you later!

Wednesday, August 13

Some reading...

So, yesterday I bought the script to August: Osage County. It was, in a word, terrific. In both senses. I don't trust my feeble ability to string a sentence together with expressing how this play made me feel, so I'll just say that I'm looking forward tremendously to seeing it (hopefully, this fall).

Today I will be going to Avenue Q. Cabaret, unfortunately, did not work out. Someday, when I can drive, I will be able to get to these things, but for now I have to rely on public transportation, which is, in a word, unreliable. Following the show, I will attempt to write a review (my first. So be kind, when I post it), then curl up in bed with one of my other two new books, either the libretto for Grey Gardens (a show I WISH I could still see)or From Assassins to West Side Story: The Director's Guide to Musical Theatre, by Scott Miller, which I flipped through in the store and seems very interesting. Fun times!

Tuesday, August 12

Another Suitcase, Another Hall

Here I am in Toronto for two weeks! I'm going to be working at the CNE (Canadian National Exhibition) next week, monday through friday. But this week I'm just relaxing, and I have two theatre-related goals which I think I can achieve.

1) See Cabaret at the Stratford Shakespeare Festival
Need to: Buy tickets, work out transportation and a place to stay and such (it's a two-hour drive, and we don't have a car)

2) See the national tour of Avenue Q right here in the city, at the Elgin Theatre
Need to: Walk down and buy tickets! It's like a 15 minute stroll.

So, hopefully I shall accomplish both of these. I am definitely going to do at least one. Look for review(s) later this week or early next!